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There’s often an undercurrent of existential fatigue in games that look back at their legacy. Dark Souls III’s dying kingdom, Metal Gear Solid 4’s decrepit Snake. So when Capcom showed us an ageing Leon Kennedy entering the ruins of the police station that marked the start of his journey from rookie cop to hardened veteran, it felt tinged with ennui as much as nostalgia. That self-reflective swansong for this 30-year series may still happen one day, but Requiem isn’t it. Even at its dourest and most pensive, this is less a song for the dead, more a knees-up in honour of the rocket launchers and typewriters that came before. Leon may be getting on a bit, but this is Capcom as energised, devious and goofy as ever.
NASA's decision to bring the crew home one month early, on Jan. 15, marked the agency's first controlled medical evacuation from the station in its 25 years of continuous operations. The incident highlighted the limits of treating complex health problems 250 miles away from Earth.
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Anthropic 今天向外展示的「合作」姿态,听起来温和,甚至有点示好。市场也在一夜之间被安抚了,但没人真正回答那个根本问题:AI 冲击职场的终点,到底是人和 AI 一起干活,还是 AI 干活、人来担责,还是连这最后一道门槛也终将消失?
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